I first met artist Caroline Hack at the “Moby Dick on the Mersey” marathon read I organised in Liverpool in 2013. We’ve since worked together on a little book about the 1816 voyage of the Whitby whale ship Esk. Back in 2013 Caroline was already established with a back catalogue of work related to whales and historic whaling and she is currently Artist in Residence at Burton Constable Hall in East Yorkshire, where there is a famous skeleton of a Sperm Whale, washed up on the Holderness coast at Tunstall in 1825. This skeleton featured first in Thomas Beale’s The Natural History of the Sperm Whale (1839) and later, via Beale, in Moby-Dick (1851) itself.
Caroline has built an exhibition with this skeleton–now in the stables–as its centrepiece, starting from Saturday March 26. If you’re in the area the hall and grounds themselves are a good day out anyway, but this exhibition just makes it all the more worthwhile. Caroline’s work with printed and sewn fabrics is both reminiscent of the Arts and Crafts movement of the late nineteenth century, and starkly corporeal in its use of whale bones and historic objects.
The exhibition runs from Easter Saturday to Thursday 28 April 2016. Opening Times: 11am – 5pm, seven days per week (the hall itself is not open on Fridays). The project is funded by the Arts Council England via Grants for the Arts and the Friends of Burton Constable.
See more of Caroline’s work at carolinehack.com
Talks on Scrimshaw and Herman Melville in Liverpool
Free talks on scrimshaw and on Herman Melville’s time in Liverpool are featured on the Moby Dick on the Mersey website. These are part of the marathon reading weekend May 4th-6th.
There is a great story over at Wired about the whaling ship Essex, which in 1820 was rammed and sunk by a Sperm Whale somewhere in the Pacific. This is the story that partly inspired Melville to write Moby Dick a book everyone should read at least once. Melville of course was a seaman on several whale ships and stories like this would have circulated among his fellow crewmembers. One of the best things about Moby Dick is the way Melville blends the mechanics and science of whaling and whales with their mythic power. The real story of the Essex is fantastical in itself, but Melville’s novel turns the whale into a force beyond nature. From the article:
The ship’s three remaining whaleboats — one had been destroyed by a whale’s flukes during an earlier hunt — were dispatched for the kill. As the harpooning began, First Mate Owen Chase, commanding one of the whaleboats, looked back and saw a large sperm whale, which he estimated at 85 feet, approaching the Essex.
As he watched helplessly, the whale propelled itself into the ship with great force. Some crewmen on board were knocked off their feet by the collision, and Chase watched in disbelief as the whale drew back and rammed the ship again. This time the Essex was holed below the waterline, and doomed.
The crew organized what provisions they could and two days later abandoned ship aboard the three whaleboats. Twenty men left the Essex. Eight would ultimately survive the harrowing ordeal that played out over the next three months.
Here’s the link to the story, which comes with an excellent slideshow entitled ‘The Creatures That Ate Hollywood’.
Here’s my take on Melville’s novel.