A quick plug for The Arctic Whaling Year, an exhibition of the work of my friend Caroline Hack, an artist who works with textiles to create images and objects relating to whales and whaling from historic Arctic whaling, mostly from around the turn of the nineteenth century. Caroline spends a lot of her time in archives and museums gathering information and recording objects that go into her work in the form of printed or stitched textiles. The result is a series of beautiful pieces including “Calling at Shetland” (above). I particularly like the way the brutality of whaling is juxtaposed with the vibrant colours and soft textures of the print and fabrics.
Last week I had some exciting news. I have been selected to exhibit my photography in the Northern Exposure exhibition at the Portico Library and Gallery in Manchester. Northern Exposure is an annual exhibition of the work of seven or eight artists from the North of England. This year the exhibition is taking place from 3-30 July, during the Manchester International Festival, so it is a great opportunity for me as a photographer, and one I know I am lucky to have been offered.
For as long as I can remember I have been interested in where the boundaries lie between rural and urban, natural and human-made. Even in my relatively short lifetime British culture has become significantly more urban-centred (and London-centric), but of course the process goes back much further than that. I have begun choosing the eight or so pictures for hanging in the exhibition and all of them will explore the ways in which human activity and nature interact, the human influence on apparently natural landscapes, and how we have come to see the natural, or perhaps unnatural, world.